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Series: Radical cultural studies. Rowman and Littlefield: Lanham, pp. In: Lavery, C. Series: Methuen drama engage. Bloomsbury: London. Fifty Modern and Contemporary Dramatists. Series: Routledge key guides. Routledge: London, pp. In: Paintin, G. Oberon Books: London, vi-xxiv. In: Qualmann, C. Ways to Wander. Triarchy Press: Axminster, pp. Performance Research , 20 3 , pp. Performance Research , 20 3 ,. Paintin, G.

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Oberon Books: London. In: Reynolds, B. Palgrave: London, pp. In: Whybrow, N. Performing Cities. Palgrave Macmillan, pp. Contemporary Theatre Review , 24 4 , pp. Rudd married his second wife, Martha Bannerman, in They eventually had three children: Graeme, Kathryn and Eliza. In , Rudd retired from acting to raise his children, [4] moving his family from Los Angeles to his Greenwich, Connecticut near his native Massachusetts.

Later in life, Rudd taught [2] at local middle schools and high schools — on the subjects of theater, especially Shakespeare, and poetry. Rudd came briefly out of retirement for a production of A Midsummer Night's Dream , playing the double role of Oberon and Theseus—perhaps inspired by a production of the same play he saw at Shakespeare's Globe Theatre while visiting London.

Starting in , Rudd was a teaching faculty member and associate director of the MFA drama program at the New School for Drama until his death. Rudd died at his Greenwich, Connecticut home at the age of 70 from pancreatic cancer. He was survived by his wife, Martha, and three children. Paul Rudd makes a taut-nerved Romeo, his handsome face either tense with pain or almost consciously relaxed and sunny.

He speaks the verse very well, with intelligent nuances, and his ardent death wish at the end is most impressive. From Wikipedia, the free encyclopedia.

Dramatists in "Dictionary of Literary Biography"

Paul Stephen Rudd. Ashgate Studies in Childhood, to the Present. In: Berra, J. Directory of World Cinema: American Independent 3. University of Chicago Press, Chicago, pp. Motivos visuales del cine. Galaxia Gutenberg, Barcelona, pp. Journal of Italian Cinema and Media Studies, 4 3. Cinema, education and politics.

Interview with Cezar Migliorin. E-international relations. In: McTighe, T. Staging Beckett in Ireland and Northern Ireland. Bloomsbury Methuen, London, pp. The website is available here: www. Film-Philosophy, 20 1. In: Tzioumakis, Y. Routledge, Abingdon, pp.

Narberhaus, M. Berghahn Books, Oxford, pp Cinema Journal, 55 2. In: Whissel, K. Behind the Silver Screen. Rossi, J. Ibsen Studies, 16 1. Smart, W. A discussion. Palgrave, London, pp In: Klein, A. University of Texas Press, Austin, Texas, pp. In: Evans, M. Genre, Music and Sound. Equinox, Sheffield, pp Journal of Contemporary Drama in English, 3 1. Contemporary Theatre Review, 25 4. In: Higueras Flores, R.

Werner Herzog. Republication in e-form. Kazakopoulou de Senna, A. Medioli, F. In: Medioli, F. Il costruttore di immagini: Enrico Medioli sceneggiatore. Aska, Florence, pp. Aska, Florence, pp Murphet, J. In: Bethencourt, F. Reconfiguring Identities in the Portuguese-Speaking World 4. Peter Lang, Oxford, pp.

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In: De Luca, T. Slow Cinema. Traditions in World Cinema. Movie: a journal of film criticism 6. Senses of Cinema Critical Studies in Television, 10 3. Antipodes, 29 2. Critical Studies in Television, 10 2. Journal of British Cinema and Television, 12 2. Woynarski, L. Performance Research, 20 2. Contemporary Theatre Review, 24 3. Unsafe spectatorship in the work of Anthony Neilson and Simon Stephens. In: Aragay, M. Ethical Speculations in Contemporary British Theatre.

Contemporary Theatre Review special issue , 24 3. Historical Journal of Film, Radio and Television, 34 3. Palgrave Macmillan, Basingstoke, pp Donaldson, L. Palgrave Macmillan, pp In: Gontarski, S. The Edinburgh companion to Samuel Beckett and the arts. Nordic Irish Studies, 13 1. ISSN X. Journal of Beckett Studies, 23 1. In: Lindner, C. Inert cities: globalization, mobility and suspension in visual culture. Tauris, London, pp. Aniki: Portuguese Journal of the Moving Image, 1 1. Panos, L. Journal of British Cinema and Television, 11 1.

In: Bignell, J. Palgrave Macmillan, Houndsmills, Basingstoke, pp. Critical Studies in Television, 9 3.

Whose Line - Film, TV and Theatre styles

Television and New Media, 15 3. In: Angelaki, V. Palgrave Macmillan, pp. Sillages Critiques, A companion to reality television. In: O'Day, A.

Contemporary Theatre, Film and Television - Michael J. Tyrkus - Google книги

Doctor Who: the eleventh hour. Who watching. Tauris, London and New York, pp. In: Jacobs, J. Television Aesthetics and Style. In: Brown, T. The Biopic in Contemporary Film Culture. AFI Film Readers. Elduque I Busquets, A. Quaderns de Cine, 8. In: Benavente, F. Manchester University Press, Manchester, pp New Review of Film and Television Studies, 11 3. Critical Studies in Television, 8 2. McTighe, T. Nyx, A Noctournal, 8. In: Walsh, F. That was us: Contemporary Irish Theatre and Performance. Oberon, London, pp. New Interpretations of Beckett in the 21st Century.

Palgrave Macmillan, New York, pp Intellect, Bristol, pp In: Brandellero, S. The Brazilian road movie: journeys of self discovery. Iberian and Latin American Studies. University of Wales Press, Cardiff, pp. In: Andrew, D. Wiley-Blackwell, Oxford, pp. In: Dennison, S. World Cinema: As novas cartografias do cinema mundial.

Papirus, Campinas, pp. In: Starling, H. Brazil Cultural Impure cinema: intermedial and intercultural approaches to film. Tauris World Cinema Series. Tauris, London, pp Film Criticism, 38 2. Journal of Screenwriting, 4 3. Critical Studies in Television, 8 3. Journal of British Cinema and Television, 10 1. Rolinson, D. Memory, haunting and return through television seriality. In: Fradley, M. Shane Meadows: Critical Essays. Saunders, G. In: Duggan, P. Reverberations across Small-Scale British Theatre. Intellect, Bristol.

Contemporary Theatre Review, 23 3. Journal of Popular Television, 1 1. Critical Studies in Television, 8 1. Beauchamp, A. Journal of Media Practice, 12 3. Routledge, London , pp In: Reason, M. Kinesthetic Empathy in Creative and Cultural Practices. Intellect Books, Bristol, pp. Revista Movimento, 2. New Review of Film and Television Studies, 10 1. Critical Studies in Television, 7 1. Devires, 9 1. Theorizing world cinema. In: Prager, B. A companion to Werner Herzog. Journal of Media Practice, 13 3. History Research, 2 6.

Contemporary Theatre Review, 22 1. In: Sierz, A. Modern British playwriting: the s: voices, documents, new interpretations. Methuen Drama, London, UK. In: Loiselle, A. Stages of reality: theatricality in cinema. University of Toronto Press, Toronto, pp. Priestley, Ralph Richardson and 'Johnson over Jordan' Contemporary Theatre Review, 21 4. In: Hochscherf, T.

Critical Explorations in Science Fiction and Fantasy Studies in Documentary Film, 4 3. In: Lesnik-Oberstein, K. Narrative in Drama. Contemporary Drama in English Wissenschaftlicher Verlag Trier, Trier, pp. Brown, T. In: Hubner, L. Valuing Films: Shifting Perceptions of Worth. In: Penz, F.

Discovered Acting

Intellect, Bristol, pp. De Vos, L. CineAction Irish Journal of Gothic and Horror Studies 9. Movie: a Journal of Film Criticism 3. Critical Studies in Television, 6 1. In: Vargas Maldonado, J. Continuum, London, pp Journal of British Cinema and Television, 8 1. In: Geraghty, L. Directory of World Cinema: American Hollywood.

Directory of World Cinema. In: Waters, M. American Hollywood. Directory of World Cinema 5. In: Middeke, M. Methuen, London, pp. Theatre Notebook, 64 3. Studies in Theatre and Performance, 31 2. Thorpe, A. Asian Theatre Journal, 28 2. Theatre Research International, 36 Cambridge Scholars Publishing, Cambridge, pp.

In: Mengel, E. Wissenschaftlicher Verlag Trier, pp. Studies in Theatre and Performance, 30 3. In: Cornea, C. Genre and performance: film and television. In: Caselli, D. Beckett and nothing: trying to understand Beckett. In: Ahrens, R. Symbolism: an international annual of critical aesthetics.

Paul Ryan Rudd

Special focus: propaganda. Film moments: criticism, history, theory. Journal of Literary Theory, 4 2. Media History, 16 1.

In: Walters, J. In: De Weck, Z. Eija-Liisa Ahtila: where is where? Walther Konig, Koln, Germany, pp. Screen, 51 4.

Carroll O'Connor Facts

Movie: a journal of film criticism 1. In: Ni Fhlainn, S. The Worlds of Back to the Future. McFarland, Jefferson, pp. Film Moments. Movie: A Journal of Film Criticism 1. In: Belton, J. Widescreen Worldwide. John Libbey, London, pp. Science Fiction Film and Television, 3 2. Routledge Advances in Theatre and Performance Studies, Routledge, pp In: Baines, R.

Staging and performing translation: text and theatre practice. In: Iordanova, D. Cinema at the periphery. Wayne State University Press, Detroit, pp. Paget, D.

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  5. New Theatre Quarterly, 26 2. New Theatre Quarterly, 26 3. In: de Vos, L. Sarah Kane in context. In: Gritzner, K. Eroticism and death in theatre and performance. University of Hertfordshire Press, UK, pp. In: Hadley, L. Thatcher and after: Margaret Thatcher and her afterlife in contemporary culture. Palgrave Macmillan, Basingstoke, UK, pp. In: Huber, W.